Another Sky

This post was originally delivered as a talk on 1st October 2016 as part of my SGSAH-funded residency at RSPB Mersehead.

I feel it is only appropriate I begin by acknowledging the date. Tonight, the first of October is the night of the new moon and the start of a new lunar month. A lunar month, also known as a lunation, is a period of roughly twenty-nine and a half days marking the time between one new moon and the next. The reason I chose to name my work after this particular unit of time is not simply because my residency happened to coincide with a lunation like the one beginning tonight, but because of the way night here came to feature in all of the work I have made for the show.

Continue reading

Egretta garzetta, or the little egret.

Two thousand, five hundred and ninety-one, twenty point eight-nine gigabytes: roughly the equivalent of eighty-two rolls of film. This is the number of photographs I took in the course of my residency at Mersehead. In my work I will use maybe one tenth of that number, but almost certainly fewer – it is nearly always the case that many more photographs are taken than exhibited.

Continue reading

Camera Obscura

“Ae dreary, windy, winter night,

The stars shot down wi’ sklentin light,

Wi’ you, mysel’ I gat a fright.”

– Robert Burns, Address to the Deil (1785)

The first Saturday after I arrived at Mersehead, I made the short journey sixteen miles north to Dumfries: the town probably best known as the final resting place of Robert Burns. I though had not come to visit the Burns Mausoleum, nor the small sandstone house in which he lived out the final years of his life. I had come to visit the town’s camera obscura. Continue reading

“Why are you here?”

When the above question was put to me last Saturday night over a particularly tricky jigsaw, I had just finished explaining to my companions that my background is not in ornithology, zoology, conservation, or indeed any of the scientific disciplines one might expect of a PhD student volunteering on an RSPB reserve, but in Fine Art. I am here, as I went on to explain, on an artist in residence placement: essentially I am here to make art.

Continue reading

Black Shoals

There was one piece of work in the Big Bang Data exhibition that I did not mention in my last post: Black Shoals – Dark Matter by Lise Autogena and Joshua Portway. [1] More than any other piece in the show, many of which I was already familiar with from the Internet and academic texts, this is the one I was most excited, and most nervous, about seeing, ‘in the flesh’ so to speak.

Continue reading

Moving Stillness

Sitting in the darkened gallery, I spent a long time trying to discern if the back-projected image I was looking at was moving. The fact that the image of a snow-capped mountain surrounded by trees was accompanied by a field recording of wind and other sounds familiar from the outdoors seemed to suggest that it should move, as in a film. Yet, as I peered at the screen I could see no evidence of trees blowing in the wind, or of a bird flying across the sky. At one point during my visit, the screen suddenly went blank, the image reappearing a few seconds later, only, I think, lit slightly differently: the shadows shorter. Continue reading